Border Collection / Colección Fronteriza

Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s.

The Shadow of El Centro tells the story of how the detention camp evolved into the Immigration and Customs Enforcement Service Processing Center of the 2000s and became a national model for detaining migrants--a place where the policing of migration, the racialization of labor, and detainee resistance coalesced.

Renato Rosaldo's new prose poetry collection shares his experiences and those of his group of twelve Mexican American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch. Derived from interviews with the Chasers and three other friends conducted after their fiftieth high school reunion, Rosaldo's poems present a chorus of distinct voices and perspectives that convey the realities of Chicano life on the borderlands from the 1950s to the present.

Becoming Transnational Youth Workers contests mainstream notions of adolescence with its study of a previously under-documented cross-section of Mexican immigrant youth. Isabel Martinez examines a group of unaccompanied Mexican teenage minors who emigrated to New York City in the early 2000s. This book also explores community and family understandings about survival and social mobility in an era of extreme global economic inequality.

A young widower visits Chichén Itzá to honor his wife; family dynamics unravel at a child's birthday party; the lead singer of a high school metal band faces his dreaded tenth reunion; a serial killer believes he's been blessed by God to murder bicycle thieves--Alvarado Valdivia's debut collection of short stories ranges from dark to light and is written with a storyteller's skill and compassion. Based in Northern California and examining a variety of themes, including love, family, and masculinity, these stories offer an important new perspective on the experiences of Latinos and Latinas in the United States and complicate ideas of nationhood, identity, and the definition of home.

Winner, Abbott Lowell Cummings Award, Vernacular Architecture Forum, 2020 From the boundary surveys of the 1850s to the ever-expanding fences and highway networks of the twenty-first century, Border Land, Border Water examines the history of the construction projects that have shaped the region where the United States and Mexico meet. Tracing the accretion of ports of entry, boundary markers, transportation networks, fences and barriers, surveillance infrastructure, and dams and other river engineering projects, C. J. Alvarez advances a broad chronological narrative that captures the full life cycle of border building. He explains how initial groundbreaking in the nineteenth century transitioned to unbridled faith in the capacity to control the movement of people, goods, and water through the use of physical structures. By the 1960s, however, the built environment of the border began to display increasingly obvious systemic flaws. More often than not, Alvarez shows, federal agencies in both countries responded with more construction--"compensatory building" designed to mitigate unsustainable policies relating to immigration, black markets, and the natural world. Border Land, Border Water reframes our understanding of how the border has come to look and function as it does and is essential to current debates about the future of the US-Mexico divide.

Finalist for the 2020 Jesse H. Jones Award for Best Work of Fiction. Nena leaves Laredo, Texas, and moves to Madrid, Spain, to research the historical roots of traditional fiestas in Laredo. Immersing herself in post-Franco Spain and its rich history, its food, music, and fiestas, Nena finds herself falling for Paco, a Spaniard who works in publishing. Nena's research and experiences teach her about who she is, where she comes from, and what is important to her, but as her work comes to a close, Nena must decide where she can best be true to her entire self: in Spain with Paco or in Laredo, her home, where her job and family await her return.

This is a look at the history of the U.S.-Mexico border as a place, a symbol of cross-cultural melding, and a source of growing anxiety over immigration and national security. Explores the creation and development of the border in the late 19th century and the growing industrialization of the region in the early 20th. Examines the cross-border violence during the US Civil War and the Mexican Revolution, the increasing racial hostility and deportation policies in the 1930s and 1950s, and cartel violence. Provides an unbiased assessment of the advent of the Chicano movement and politics on the border, NAFTA and border economics, and the increasingly hostile political debate over immigration and demands for a wall. Provides critical background and contextual information to the events that have led to a turning point in America: How do we as a nation treat those seeking a new life at the border? Shows how the border has brought out feelings of community and acceptance along the border and at the same time birthed nativist and racial stereotypes.

Borders of Belonging investigates the impact of immigration policies and practices not only on undocumented migrants, but also on their family members, some of whom possess a form of legal status. Heide Castañeda reveals the trauma, distress, and inequalities that occur daily, alongside the stratification of particular family members' access to resources like education, employment, and health care. Castañeda's innovative ethnography combines fieldwork with individuals and family groups to paint a full picture of the experiences of mixed-status families as they navigate the emotional, social, political, and medical difficulties that inevitably arise when at least one family member lacks legal status. Exposing the extreme conditions in the heavily-regulated U.S./Mexico borderlands, this book presents a portentous vision of how the further encroachment of immigration enforcement would affect millions of mixed-status families throughout the country.

In the American imagination, no figure is more central to national identity and the nation's origin story than the cowboy. Yet the Americans and Europeans who settled the U.S. West learned virtually everything they knew about ranching from the indigenous and Mexican horsemen who already inhabited the region. The charro--a skilled, elite, and landowning horseman--was an especially powerful symbol of Mexican masculinity and nationalism. After the 1930s, Mexican Americans in cities across the U.S. West embraced the figure as a way to challenge their segregation, exploitation, and marginalization from core narratives of American identity. In this definitive history, Laura R. Barraclough shows how Mexican Americans have used the charro in the service of civil rights, cultural citizenship, and place-making. Focusing on a range of U.S. cities, Charros traces the evolution of the "original cowboy" through mixed triumphs and hostile backlashes, revealing him to be a crucial agent in the production of U.S., Mexican, and border cultures, as well as a guiding force for Mexican American identity and social movements.